Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,� The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery� since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 29th volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you four complete continuities drawn by Sy himself which continue adventures of The Phantom, Diana, and his two children: “Gooroo's Jungle,� “The Hostages� “The Phantom's Vacation,� and “The Return of Gooroo's Mob.� Strips from this issue are taken directly from King Feature’s proofs. Included in the volume is a comprehensive essay and documentary materials.

Frank Robbins’ masterpiece, one of the all-time greatest action/adventure newspaper comic strips, Johnny Hazard, returns with Volume ten of the series! Continues the adventures of Johnny Hazard picking up the storyline where Volume Nine left off. See more trend-setting artwork by comics legend Frank Robbins in one of the most important adventure strips ever to grace newspapers.  Reproduced entirely from original King Features press proofs.

The 1960s comic book adventures of The Phantom return in full, glorious color! Long out of print and in constant demand these classic Phantom stories are collected in two hard cover volumes. Volume Two collects eight stories. The Gold Key comic book version of the grand-daddy of costumed heroes, the Ghost Who Walks, is available again, digitally remastered to look better than the original books. Featuring cover art by famed painter George Wilson with interior artwork by Bill Lignante and stories by Bill Harris. Chock of a extras, an in depth introduction by Phantom expert Pete Klaus accompanied by rare original artwork. This printing will be limited to 1000 copies.

The Feudist: A Novel of the Pleasant Valley War is both a traditional Western - tense, authentic, fast-paced - and an anti-Western that tells the story of what was perhaps the bloodiest range war in US history, Arizona's 1880s Pleasant Valley War. The narrator - a small-time rancher named Ben Holcomb who reflects back on his adolescent experiences - begins the story as a stockboy in Globe City, Arizona. Bored with his job, he agrees to become an apprentice cowboy. His journey to his employer's ranch leads him into a smoldering range war. Over the next year, he rides with a charismatic trickster; a Texas 'colonel' and his idealist daughter; a polygamous Mormon elder with a teenaged wife; and a winsome, mixed-race cowboy who is deeply embroiled in the feud. Though Ben tries to stay out of the quarreling, he finds himself embroiled as he stumbles through passionate love, devastating loss, and moral uncertainty. Herman's attention to historical forces, his spare style, his self-deprecating narrator, and his authentic characters give the novel a verisimilitude that transcends the genre Western and far surpasses Zane Grey's 1922 romance about the Pleasant Valley War, To the Last Man.

Back in the 1950s during the "Cold War" every new day beckoned the possibility of the end of the world. Kids grew up in the shadow of bomb shelters and were treated to daily lessons at school on what to do in the event of a nuclear attack. Americans were besieged by constant reminders to police our borders, to carefully watch out for "foreigners" who might be spies, and to be ever vigilant in preparing to combat the "red" menace of communism. Comic books of this era played on these fears with stories of atomic war and world war III. This new historic reprint looks back at those good ole days, which can be viewed in the perspective of today's political climate. This volume reprints the complete runs of Atomic War! and World War III and can be read merely as great action/adventure stories, classic "war" comics or as an eerie, unanticipated commentary on today's tribulations. SPECIAL NOTE: if these extremely rare books were purchased at your local comic shop they would cost well over $1000 in low grade condition!

The 1960s comic book adventures of The Phantom return in full, glorious color! Long out of print and in constant demand these classic Phantom stories are collected in two hard cover volumes. Volume One collects eight stories. The Gold Key comic book version of the grand-daddy of costumed heroes, the Ghost Who Walks, is available again, digitally remastered to look better than the original books. Featuring cover art by famed painter George Wilson with interior artwork by Bill Lignante and stories by Bill Harris. Chock full of a extras, an in depth introduction by Phantom expert Ed Rhoades accompanied by rare original artwork. This printing will be limited to 1000 copies.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,� The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery� since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books - it has frequently been copied but never equaled. This exciting 28th volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself: “The Heirs,� “Jungle Gold,� “The Return of General Bababu,� “The Tree House,� and “The Poachers.� Strips from this issue are taken directly from King Feature’s proofs. Included in the volume is a comprehensive essay and documentary materials.

Volume #27 features one of the most important stories in The Phantom canon, “The Phantom Wedding� ranked among the best tales of the Ghost Who Walks ever written. Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,� The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery� since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books - it has frequently been copied but never equaled.

In Moby-Dick's wide philosophical musings and central narrative arch, Daniel Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick's construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books-offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

Referred to by comic strip historian Maurice Horn as the “granddaddy of all costumed superheroes,� The Phantom was created in 1936 by Lee Falk. The strip hit the funny pages of newspapers well before the Dark Knight or Superman made their first appearances and has been acknowledged as an influence on every “masked man of mystery� since. The Phantom set the standard for action, adventure, intrigue, and romance in adventure comic strips and comic books — it has frequently been copied but never equaled. This exciting 30th volume continues the SY BARRY YEARS! Reprinted in all its black and white glory, journey with Hermes Press as we bring you five complete continuities drawn by Sy himself which continue adventures of The Phantom, Diana, and his two children: “Queen Karola of Kula-Ku,� “Ughland,� “Visit to Baron Khan,� “Luck and Wealth,� and “The Kimberly Diamond.� Also included is a comprehensive essay and documentary materials.

The original, classic, Dark Shadows books from the Paperback Library, return with Hermes Press' archival reprint of all 32 titles in the series beginning with the first novel which first saw print in December, 1966. The sixteenth book in this reprint series is titled "Barnabas, Quentin and the Mummy's Curse." Each book in the series was written by William Edward Daniel Ross who used the pen name Marilyn Ross. When Professor Anthony Collins decides to catalog his Egyptian relics at Collinwood he brings with him the mummy of King Rehotip, who "died" over 2000 years ago. Only the professor knows that Rehotip is really in a state of suspended animation. One night, the professor brings the mummy to life. Suddenly a young girl is killed. The police suspect Quentin Collins. Maggie Evans however, is certain the killer is the mummy and wants to warn the police. Professor Collins threatens to accuse Barnabas if she does. Frightened into silence, Maggie lives in terror, wondering if she will be the next victim.

In this book, Herman argues that Herman Melville may have been aware of Buddhist thought far earlier than previously considered. Scholars have long known of Melville's interest in Buddhism in the final decades of his life (seen in the short poem "Buddha," and perhaps even the surname of his final protagonist, Billy "Budd"). But as early as 1847, Melville had knowledge of "the grand lama of Thibet," mentioning him in that year's Omoo. And the five years directly preceding the composition and publication of Moby-Dick (1844-1849) coincided with the period during which interest in Buddhism turned from an obscure curiosity among American intellectuals to formal research among religious scholars in the United States. In Moby-Dick's wide philosophical musings and central narrative arch, Herman finds a philosophy very closely aligned specifically with the original teachings of Zen Buddhism. In exploring the likelihood of this hitherto undiscovered influence, Herman looks at works Melville is either known to have read or that there is a strong likelihood of his having come across, as well as offering a more expansive consideration of Moby-Dick from a Zen Buddhist perspective, as it is expressed in both ancient and modern teachings. But not only does the book delve deeply into one of the few aspects of Moby-Dick's construction left unexplored by scholars, it also conceives of an entirely new way of reading the greatest of American books-offering critical re-considerations of many of its most crucial and contentious issues, while focusing on what Melville has to teach us about coping with adversity, respecting ideological diversity, and living skillfully in a fickle, slippery world.

For thousands of years, humans have lived on the sprawling escarpment in Arizona known as the Mogollon Rim, a stretch that separates the valleys of central Arizona from the mountains of the north. A vast portion of this dramatic landscape is the traditional home of the Dilzhe'e (Tonto Apache) and the Yavapai. Now Daniel Herman offers a compelling narrative of how--from 1864 to 1934--the Dilzhe'e and the Yavapai came to central Arizona, how they were conquered, how they were exiled, how they returned to their homeland, and how, through these events, they found renewal.
Herman examines the complex, contradictory, and very human relations between Indians, settlers, and Federal agents in late nineteenth- and early twentieth-century Arizona--a time that included Arizona's brutal Indian wars. But while most tribal histories stay within the borders of the reservation, Herman also chronicles how Indians who left the reservation helped build a modern state with dams, hydroelectricity, roads, and bridges. With thoughtful detail and incisive analysis, Herman discusses the complex web of interactions between Apache, Yavapai, and Anglos that surround every aspect of the story.
"Rim Country Exodus" is part of a new movement in Western history emphasizing survival rather than disappearance. Just as important, this is one of the first in-depth studies of the West that examines race as it was lived. Race was formulated, Herman argues, not only through colonial and scientific discourses, but also through day-to-day interactions between Indians, agents, and settlers. "Rim Country Exodus "offers an important new perspective on the making of the West.